{"id":21832,"date":"2023-11-20T15:26:47","date_gmt":"2023-11-20T15:26:47","guid":{"rendered":"https:\/\/sanghaactiva.com\/?p=21832"},"modified":"2024-04-03T15:38:50","modified_gmt":"2024-04-03T13:38:50","slug":"importancia-del-humor-en-el-budismo","status":"publish","type":"post","link":"https:\/\/sanghaactiva.com\/ca\/importancia-del-humor-en-el-budismo","title":{"rendered":"Unes gotes d'ironia per a endolcir el Dharma. La import\u00e0ncia de l'humor en l'ensenyament del budisme per Elena Pita"},"content":{"rendered":"

\u201cEl riure \u00e9s la m\u00e0xima manifestaci\u00f3 de la falta d'enjudiciament, i per tant, de llibertat: res allibera m\u00e9s que deixar de jutjar a l'altre. Vaig arribar a aquesta manera de pensar i a l'humor a trav\u00e9s de la meditaci\u00f3 i la pr\u00e0ctica budista\u201d<\/strong>. Va ser la resposta que en una entrevista em va brindar la gran c\u00f2mica Marta Gonz\u00e1lez de Vega, actriu i guionista dels millors humoristes espanyols; entre altres, Jos\u00e9 Mota, l'humor surrealista m\u00e9s d'aqu\u00ed i d'ara. <\/p>\n\n\n\n

Nom\u00e9s llavors vaig entendre per qu\u00e8 quan assisteixo a una lli\u00e7\u00f3 de Lama Dondrub espero amb il\u00b7lusi\u00f3 la pr\u00f2xima broma, amb el somriure ja dibuixat en els llavis, brollant de la gola a la primera: com si atengu\u00e9s una com\u00e8dia. Vaig voler indagar en aix\u00f2 i de seguida vaig arribar a un altre record: la meva entrevista a Leonard Cohen, any 2001, poc despr\u00e9s que l'excels rapsode deix\u00e9s provisionalment el monestir budista on havia rom\u00e0s els \u00faltims anys. El seu patrimoni havia estat espoliat i es va veure obligat a gravar un nou disc i tornar a la carretera en gira: no, no va ser Cohen un monjo mendicant.<\/p>\n\n\n\n

Vaig ser abdu\u00efda a la trobada; abdu\u00efda per la fascinaci\u00f3 que aquest poeta i cantant sempre ha despertat en mi, des de la m\u00e9s primerenca adolesc\u00e8ncia. Quin seria el meu estupor quan, en resposta a la meva primera q\u00fcesti\u00f3, o tal vegada fins i tot abans \u2013no record amb exactitud, per\u00f2 res m\u00e9s asseure'm enfront d'ell a l'habitaci\u00f3 que ocupava a l'Hotel Palace de Madrid\u2013, Cohen em pregunta: \u201cEm deixes que et conti un acudit?\u201d All\u00f2 trencava la idea preconcebuda que sempre havia albergat entorn de les seves tan melanc\u00f2liques l\u00edriques. No va ser un sol acudit, sin\u00f3 diversos els que em va comptar al llarg de la nostra conversa i, tota vegada, despr\u00e9s de demanar-me perm\u00eds per a aix\u00f2 amb la seva natural eleg\u00e0ncia de cavaller m\u00e9s al nord del nord ( Westmount, el Canad\u00e0 , setembre de 1934\u2013novembre de 2016,\u00a0Los Angeles, els EUA), malgrat lluir un crani afaitat i una s\u00e8rie de
afaitis que denotaven la seva pr\u00e0ctica budista i que per\u00f2 desencaixaven amb el seu abillament encorbatat. S\u00ed, el seu moment vital era sens dubte el d'un bon Bodhisattva.<\/p>\n\n\n\n

\n

\u00abSi la espiritualidad no tiene humor, no lo es.\u00bb<\/p>\nNgawang Rinchen – Ngagpa Sangha Activa<\/cite><\/blockquote>\n\n\n\n

Amb aquestes intu\u00efcions, gaireb\u00e9 evid\u00e8ncies, vaig rec\u00f3rrer al mestre Ngawang Rinchen, el nostre venerat ngagpa Jordi G\u00f3mez, secretari de Sangha Activa i coordinador del centre budista a Vilassar de Mar, qui en un migdia assolellat del mar\u00e7 passat, esmorzant en Dones d\u00b4Aig\u00fca, em va explicar el sentit i la import\u00e0ncia que t\u00e9 l'humor en l'ensenyament del cam\u00ed. \u201cEls mestres budistes han de tenir unes qualitats i posar en pr\u00e0ctica una s\u00e8rie d'estrat\u00e8gies per a fer arribar el Dharma als seus deixebles. Les qualitat primordials s\u00f3n la compassi\u00f3 i l'amabilitat, i entre els mitjans h\u00e0bils per a acostar-se als qui els escolten, l'humor \u00e9s un dels essencials<\/strong>\u201d \u2013em va explicar per a a continuaci\u00f3 sentenciar: \u201cSi la teva espiritualitat no t\u00e9 humor, no ho \u00e9s\u201d. \u201cEl Dharma \u00e9s un cam\u00ed per a madurar la ment, i per a predisposar-te a aprendre, la teva ment ha d'estar relaxada: l'humor, l'estat d'\u00e0nim alegre i din\u00e0mic, despert, ens ajuda a aix\u00f2. Tamb\u00e9 \u00e9s essencial perqu\u00e8 el mestre aconsegueixi una proximitat amb els seus deixebles i, en aquest sentit, la forma en qu\u00e8 s'expressi \u00e9s vital: si al que \u00e9s important i complex d'entendre, com el sagrat, ho fas intocable i ho distancies, ho converteixes en inaccessible. L'estudiant ha de sentir la proximitat del mestre, i aix\u00f2 no s'aconsegueix parlant des d'un podi\u201d.<\/p>\n\n\n\n

Em va parlar Jordi dels mestres tibetans que utilitzen l'humor en les seves lli\u00e7ons, especialment em va aconsellar apuntar-me a la biografia de Dzongsar Jamyang Khyentse\u00a0 Rinpoche , actual representant d'un llinatge familiar de l\u00e0mines que es remunta a 1820. Director de cinema,\u00a0guionista,\u00a0l\u00e0mina,\u00a0actor\u00a0i comentarista s\u00f3n segons Wikipedia els seus molt variats i sorprenents oficis. Conegut en el m\u00f3n del cinema com Khyentse Norbu, va n\u00e9ixer a Bhutan en 1961 i ha dedicat la seva vida a portar l'ensenyament del Dharma pel m\u00f3n, fundador de nombrosos centres d'estudi a trav\u00e9s de la Khyentse
Foundation. Es va iniciar al cinema assessorant a Bernardo Bertolucci per al rodatge del petit buda. I aqu\u00ed li va quedar l'\u00e0nima corpresa: ha dirigit quatre llargmetratges i \u00e9s autor d'una infinitat de best sellers assatg\u00edstics i alguna novel\u00b7la. Mundialment reverenciat, considerat un dels m\u00e9s destacats l\u00edders budistes contemporanis, el seu sentit d'humor i ironia li han guanyat una reputaci\u00f3 mundial de franquesa i sinceritat:
\u201cKhyentse compte i diu les coses com s\u00f3n\u201d, es llegeix en les seves cr\u00edtiques. D'aix\u00f2 donen compte alguns dels seus t\u00edtols (Com saber si no ets budista, The guru drinks bourbon (El guru que bevia bourbon) o No per a ser feli\u00e7, la portada del qual s'il\u00b7lustra amb una copa de dry Martini). Donem un cop d'ull a la seva resposta en una entrevista, preguntat pel perill de les inclinacions en el materialista m\u00f3n del cel\u00b7luloide: \u201cJo solia viatjar en camions nocturns a l'\u00cdndia, a tombs tota la nit amb la m\u00fasica sorollos\u00edssima de pel\u00b7l\u00edcules de Bollywood.\u00daltimament em va m\u00e9s la limusina: crec que necessito
urgentment un retir en el lloc m\u00e9s remot de l'\u00cdndia, s\u00ed\u201d. O quan diu que no sap si \u00e9s homosexual o no, que li ho est\u00e0 pensant.<\/p>\n\n\n\n

Fet i fet, i al fil de les explicacions que Jordi anava desgranant mentre gaud\u00edem les del\u00edcies que alimenten el cos en el monestir de Sant Iscle de Vallalta, vaig recordar un altre assumpte que tamb\u00e9 em sorpr\u00e8n fa temps. Una de les mat\u00e8ries en principi m\u00e9s \u00e0rdues d'abordar per a un deixeble, l'aprendre a morir, \u00e9s impartida en Sangha Activa per Ngawang Khadro, ngagpa Montserrat Falguera, a qui podr\u00e0s recon\u00e8ixer en un simple primera trobada pel seu agut sentit de l'humor. Tampoc aquest important detall del curs Aprenent de la Mort, que Montserrat imparteix tots els anys, responia a la casualitat o, pitjor encara, a l'equ\u00edvoc, sin\u00f3 que \u00e9s mostra de la seva enorme saviesa i la seva manera de saber aproximar-se a l'altre, constatant, una vegada m\u00e9s, que \u201csense humor no hi ha espiritualitat\u201d \u2013Jordi, dixit.<\/p>\n\n\n\n

Escrit per Elena Pita <\/strong><\/p>","protected":false},"excerpt":{"rendered":"

\u201cLa risa es la m\u00e1xima manifestaci\u00f3n de la falta de enjuiciamiento, y por tanto, de libertad: nada libera m\u00e1s que dejar de juzgar al otro. 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